老杨（韩非 饰）是前进伞厂的厂长，由于平日只重数量、不顾质量，相亲时闹出大笑话。一日，他挑一把出本厂生产的自动伞，托未婚妻小金（张文蓉 饰）赠予未来的丈母娘（孙景璐 饰）。结果，大妈拿着这把伞接连闯了许多“祸”。而老杨则坚决不承认伞有质量问题，硬说别人使用不当，而他自己却被伞簧夹破了手。下雨天，好多顾客由于使用了前进厂的伞，闹出不少笑话和麻烦。在餐厅相亲时，大妈认出了老杨就是伞厂的厂长，和周围顾客一起围拢住他，批评他不抓产品质量，生产出这种让人心烦的“缺德伞”，并生气地将女儿拉回家。老杨痛定思痛，决心狠抓产品质量......

老杨（韩非 饰）是前进伞厂的厂长，由于平日只重数量、不顾质量，相亲时闹出大笑话。一日，他挑一把出本厂生产的自动伞，托未婚妻小金（张文蓉 饰）赠予未来的丈母娘（孙景璐 饰）。结果，大妈拿着这把伞接连闯了许多“祸”。而老杨则坚决不承认伞有质量问题，硬说别人使用不当，而他自己却被伞簧夹破了手。下雨天，好多顾客由于使用了前进厂的伞，闹出不少笑话和麻烦。在餐厅相亲时，大妈认出了老杨就是伞厂的厂长，和周围顾客一起围拢住他，批评他不抓产品质量，生产出这种让人心烦的“缺德伞”，并生气地将女儿拉回家。老杨痛定思痛，决心狠抓产品质量......

秋千　　全罗道纯情男贤俊一直用“贤智”作为笔名创作漫画，并和原来的笔友庆尚道美女多红发展为一对恩爱的恋人，并计划结婚。但是摆在他们面前最棘手的问题是，多红的父亲是个彻头彻尾的庆尚道老顽固，对全罗道的“外省人”充满偏见，势必对女儿的婚事百般阻挠。为了博得未来岳父的欢心，贤俊开始努力纠正自己的发音，并鼓足勇气来到多红位于釜山附近的家。然而，等待贤俊的则是一箩筐的麻烦：一进门就对自己面黑的未来大舅子、百般挑剔的老处女姑母、一辈子除了京釜线没去过别的地方的优雅母亲、用投掷棒球代替握手的父亲，以及随时跟在自己身后盯梢的兄弟……贤俊的求婚之路险象环生。

秋千　　全罗道纯情男贤俊一直用“贤智”作为笔名创作漫画，并和原来的笔友庆尚道美女多红发展为一对恩爱的恋人，并计划结婚。但是摆在他们面前最棘手的问题是，多红的父亲是个彻头彻尾的庆尚道老顽固，对全罗道的“外省人”充满偏见，势必对女儿的婚事百般阻挠。为了博得未来岳父的欢心，贤俊开始努力纠正自己的发音，并鼓足勇气来到多红位于釜山附近的家。然而，等待贤俊的则是一箩筐的麻烦：一进门就对自己面黑的未来大舅子、百般挑剔的老处女姑母、一辈子除了京釜线没去过别的地方的优雅母亲、用投掷棒球代替握手的父亲，以及随时跟在自己身后盯梢的兄弟……贤俊的求婚之路险象环生。

现代版“罗密欧与朱丽叶”讲诉警察世家的女儿和犯罪组织儿子为了结婚而发生的浪漫喜剧故事。

现代版“罗密欧与朱丽叶”讲诉警察世家的女儿和犯罪组织儿子为了结婚而发生的浪漫喜剧故事。

故事发生在二次大战的后方地区。佩珀-弗林特-巴斯比（雅各布-萨尔瓦地 饰演）是一个七岁的小男孩，他非常爱自己的父亲，他们在一起做的事情在他看来都是…

David and Eliab, two apprentice jockeys get to know each other between admiration, rivalry and jealousy.

This is the debut feature fillm by german director Roland Klick who made classics like SUPERMARKET and DEADLOCK. 　　In this debut Roland Klick is searching for the heart and ache of german society in portraying a middle class family in the 60's living in a suburbal area who are confronted with a crime which they don't understand. What comes to surface is a disability to be emotionally able to handle it so the family tries to hide it from society. 　　Before Haneke (in his latest film "the White Ribbon" some 40 years later) there was already somebody using the power of cinematic experience to express a feeling about german people and german society which is far from any psychological mumbojumbo that fails in answering questions like: why is there violence in general? why did all those horrible things in germany during WWII happen? "Buebchen" doesn't try to fool us with explanations because violence is something that comes from a place that can't be desribed with words - it overcomes you. 　　While recently Haneke was trying to fool us with possible reasons for the horrors of WWII this little piece here by Roland Klick brings the viewer closer to the topic by leaving the reasons out - this is a film about the consequences. 　　------------------------------------ 　　Synopsis 　　In a german suburb a babysitter is too busy with her own teenage business and leaves a boy with his little sister alone. Then the girl is missing. The only way the family and society are able to deal with the horror is to ignore it and hide the truth in the closet. 　　A sharp study of german middle class society in the late 60s.

A film looking at the past to warn about the future, from a little boy's point of view. A companion to ‘American Dreams (lost and found)’ (1984)